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Other I  Pins, canvas 206 x 144 x 11 cm 2016/2017

Other I
Pins, canvas
206 x 144 x 11 cm
2016/2017

Other I,  detail

Other I, detail

Other II  Pins, canvas 197 x 136 x 10,5 cm 2017 

Other II
Pins, canvas
197 x 136 x 10,5 cm
2017 

Other III,  detail

Other III, detail

Other III  Pins, canvas 2017/2018 150 x 111 x 6,5 cm

Other III
Pins, canvas
2017/2018
150 x 111 x 6,5 cm

Other III,  detail

Other III, detail

Klimax on the Peak of Return  28 x 37 x 28 cm 3d print 2017  Three audio-recordings of stories are injected into a 3d spectrogram program. One is drawn from a public archive, the second is a fairytale, and the third is a ctionalized lie. Through the 3d spectrogram program, the stories are translated into a graph, and materialized in a physical object by a 3d printer. The relation of the separation between the object and the story projected onto it is reversed; the story is represented as an intrinsic quality of the object itself. Encapsulating three domains of knowledge production in this way, the object embodies a form of the universalized landscape, the most perfect form, a pure form. 

Klimax on the Peak of Return
28 x 37 x 28 cm
3d print
2017

Three audio-recordings of stories are injected into a 3d spectrogram program. One is drawn from a public archive, the second is a fairytale, and the third is a ctionalized lie. Through the 3d spectrogram program, the stories are translated into a graph, and materialized in a physical object by a 3d printer. The relation of the separation between the object and the story projected onto it is reversed; the story is represented as an intrinsic quality of the object itself. Encapsulating three domains of knowledge production in this way, the object embodies a form of the universalized landscape, the most perfect form, a pure form. 

Klimax on the Peak of Return

Klimax on the Peak of Return

I Lie  Iron powder, glass fibre, polyester, glass 19 x 60 x 10 cm 2015  The five objects are casts of the negative space of my mouth, when pronouncing the sounds of five letters. At the same time they are the positives of what would have become sounds of letters. The shapes of the muted letters together form what could have become a word. 

I Lie
Iron powder, glass fibre, polyester, glass
19 x 60 x 10 cm
2015

The five objects are casts of the negative space of my mouth, when pronouncing the sounds of five letters. At the same time they are the positives of what would have become sounds of letters. The shapes of the muted letters together form what could have become a word. 

 I Lie , detail 

 I Lie, detail