I Silence, 2023
The piece is a cast of the inside of my mouth.
I want to capture this location of silence. The mouth, a place of meaning-making. The mouth, the place of articulation, speech, shouting. The mouth, now, the place of silence. The resulting sculpture. My silent position in the world, materialised.
Aluminium.
at Parafin, 2023, London.
I, 2023
Graphite, charcoal and pencil on linen.
at Parafin, 2023, London. rt. Michelle Stuart.
Ujklkdsdssplmniugtkjlöihjoipokäjåpk, O, Death
Metal bars, rescued rebars, metal wire, graphite and pencil on canvas,
at Parafin, 2023, London. lt. Nika Neelova.
Birth (in the shadow of civilization), 2023
Reappropriated thrown away stainless steel, rebar, metal bar and wire.
at Pradiauto, 2023, Madrid.
Birth (in the shadow of civilization), 2023
Reappropriated thrown away stainless steel, rebar, metal bar and wire.
at Pradiauto, 2023, Madrid.
It Kinda Gets Inside You, the Silence I Mean, 2023
Graphite and crayon on cotton.
at Pradiauto, 2023, Madrid.
I Can’t Wait, 2023
Counterweight, rebar, metal bar and wire.
at Pradiauto, 2023, Madrid.
‘at one with the world’
Solo exhibition at Incubator, 2022, London.
The Undoing of Everything, 2022
Solo exhibition at Incubator, 2022, London.
Other, 2019
Solo exhibition at Incubator, 2022, London.
Öjkeqföälklegrkäerbkäbrejtlkjrtklj, 2021
Solo exhibition at Incubator, 2022, London.
No Name, 2022
Solo exhibition at Incubator, 2022, London.
Without Name, 2022
Solo exhibition at Incubator, 2022, London.
Yvfrhkkvlöåpknwefkjfkfdfw, 2022
Solo exhibition at Incubator, 2022, London.
Pgvsgsgcscsdgvvgdvjljvlevwlewlf!!1, 2022
Solo exhibition at Incubator, 2022, London.
O, 2022
Solo exhibition at Incubator, 2022, London.
Untitled (No More War), 2022
Solo exhibition at Incubator, 2022, London.
Ujklkdsdssplmniugtkjlöihjoipokäjåpk, 2022
Solo exhibition at Incubator, 2022, London.
No More War, 2022
Graphite and rust on cotton canvas
Group exhibition at Alice Black, 2023, London.
‘somewhere i have never travelled, gladly beyond’.
Nicoletti Contemporary, 2022, London. Paintings by Minh-Lan Tran.
A´Zhbanngdeghjaaionahohoamllm!, 2021
Weq-lqljjfnessness, 2021
Weq-lqljjfnessness, Oeuiddendum, 2021
Nicoletti Contemporary, 2022, London
Xxecessed, 2021
I Want to Learn the Words to Resist, 2022
Haha Love, 2022
Protest, 2022
‘somewhere i have never travelled, gladly beyond’.
Nicoletti Contemporary, 2022, London. Painting by Minh-Lan Tran.
II (framed), 2021
Saatchi, London Grads Now. 2021.
Out of Language, 2021
MFA Degree Exhibition, Goldsmiths, London.
Out of Language, 2021
MFA Degree Exhibition, Goldsmiths, London.
Out of Language, 2021
MFA Degree Exhibition, Goldsmiths, London.
Out of Language, 2021
MFA Degree Exhibition, Goldsmiths, London.
Out of Language, 2021
MFA Degree Exhibition, Goldsmiths, London.
Out of Language, 2021
MFA Degree Exhibition, Goldsmiths, London.
Unburied Voice, 2021
Excavated Hole, 2021
Excavated Hole, 2021
Not Yet Titled, 2021
III (framed), 2021
I (framed), I (unbound), 2021
Union Pacific. 2021, London. tr. Anderson Borba.
II (unbound), 2021
I (unbound), 2021
III (unbound), II (unbound), 2021
Union Pacific. 2021, London.
III (unbound), 2021
Union Pacific. 2021, London.
III (unbound), 2021
Excavated Hole, 2021
Femi’s sculpture garden. Deptford, 2021, London.
I Lie, 2015/2021
Aluminium
The five objects are casts of the negative space of my mouth, when pronouncing the sounds of five letters. At the same time they are the positives of what would have become sounds of letters. The shapes of the muted letters together form what could have become a word.
Public commission for Plaza Protocol, 2021. Plaza Protocol inhabits an unfinished construction site of an underground shopping mall at the outskirts of Ljubljana.
I Lie, detail
I Lie, 2015
The five objects are casts of the negative space of my mouth, when pronouncing the sounds of five letters. At the same time they are the positives of what would have become sounds of letters. The shapes of the muted letters together form what could have become a word.
Inter Pblc, 2021, Copenhagen.
I Lie, 2015
I Lie, detail
Monument to a Hole, 2018
With this monument I want to inverse what a monument conventionally is. It is not raised, but rather is induced into the ground onto which we live our lives. It does not commemorate any real, nor fictional, historicized person, group of people or event. Instead, it memorialises absence. This monument acknowledges the darkened holes in our lives, the holes in our personal stories and collective histories. It provides space for what was left out when history was written.
Land 404, Gullholma, 2018, Sweden.
Monument to a Hole, 2018
Monument to a Hole, detail
‘Where Nature Ends’
NX310, 2021, London.
Other II, Other I, 2016-2017
Equrna Gallery, 2017, Ljubljana.
Other III, 2018
Other III, detail
Other I, 2017
Other I, detail
–2015–