Studio, Stockholm, winter 2026
A Good Wish, How to Stand, In Search of Something to Hold Onto
Metal, plaster, hessian, graphite, charcoal
Exit From Within, solo at Ditte Lauridsen, Stockholm, 2026
How to Stand, In Search of Something to Hold Onto
Metal, plaster, hessian, graphite, charcoal
Exit From Within, solo at Ditte Lauridsen, Stockholm, 2026
Exit From Within
Metal, plaster, hessian, graphite, charcoal
Exit From Within, solo at Ditte Lauridsen, Stockholm, 2026
Exit From Within, The Dream of Flying
Metal, plaster, hessian, graphite, charcoal
Exit From Within, solo at Ditte Lauridsen, Stockholm, 2026
The Dream of Flying
Metal, plaster, hessian, graphite, charcoal
Exit From Within, solo at Ditte Lauridsen, Stockholm, 2026
In Search of Something to Hold Onto, Exit From Within
Hessian, graphite, charcoal, epoxy clay, plaster, vax
Exit From Within, solo at Ditte Lauridsen, Stockholm, 2026
Untitled
Epoxy clay, hessian, plaster, vax
in Exit From Within, solo at Ditte Lauridsen, Stockholm, 2026
A Good Wish, 2025
Graphite and charcoal on hessian
In Search of Something to Hold Onto, 2025
Graphite and charcoal on hessian
Exit From Within, 2025
Graphite and charcoal on hessian
A Bad Dream, 2025
Graphite and charcoal on hessian
The Need for Roots, 2025
Graphite and charcoal on canvas
Gonna Explode, 2026
Graphite and charcoal on hessian
Ujklkdsdssplmniugtkjlöihjoipokäjåpk, O, Death
Metal bars, rescued rebars, metal wire, graphite and pencil on canvas
at Parafin, 2023, London. lt. Nika Neelova.
Out of Language, 2021
Ground, concrete, metal, cotton, hessian, graphite
MFA Degree Exhibition, Goldsmiths, London.
Weq-lqljjfnessness, Oeuiddendum, 2021
Nicoletti Contemporary, 2022, London
I Dreamt I Was the Ground
Metal, pins, linen
Solo exhibition at Golsa, Oslo, 2024
Out of Language, 2021
Ground, concrete, metal, cotton, hessian, graphite, terracruda
MFA Degree Exhibition, Goldsmiths, London.
Kunstraum Niederösterrich
Kunstraum Niederösterrich
Out of Body
Graphite and pigment on hessian
Curated by Annika Örner and Joel Odenbrandt, Södertörn University, Stockholm, 2025
Youth, 2022
Scavanged metal, welded
Solo exhibition at Golsa, Oslo, 2024
Everybody, You, What Kind of a Heart Would a Blind Man Choose
Terracotta, graphite and pencil on canvas
Solo exhibition at Golsa, Oslo, 2024
I Dreamt I Was the Ground
at Golsa, Oslo, 2024
II, 2024
I Dreamt I Was the Ground
at Golsa, Oslo, 2024
Before Your Name
Terracotta
I Dreamt I Was the Ground
at Golsa, Oslo, 2024
Uprising, 2024
Metal bars and wire
Studio view, Stockholm, spring 2024
I Dreamt I Was the Ground
Solo exhibition at Golsa, Oslo, 2024
I Dreamt I Was the Ground
at Golsa, Oslo, 2024
Hahahahahhaahahahahahhahhahahhahahahahahahhahahahahahahahahahahahahahaa, 2024
Graphite and pencil on cotton.
I Dreamt I Was the Ground
at Golsa, Oslo, 2024
Rising, 2024
Metal bars, rescued rebars, metal wire.
Studio shot, Gustavsberg, Stockholm.
My Nature, 2024
Metal bars, rescued rebars, metal wire.
Studio shot, Gustavsberg, Stockholm.
I Silence, 2023
The piece is a cast of the inside of my mouth.
I want to capture this location of silence. The mouth, a place of meaning-making. The mouth, the place of articulation, speech, shouting. The mouth, now, the place of silence. The resulting sculpture. My silent position in the world, materialised.
Aluminium.
at Parafin, 2023, London.
I, 2023
Graphite, charcoal and pencil on linen.
at Parafin, 2023, London. rt. Michelle Stuart.
Birth, 2023
Reappropriated thrown away stainless steel, rebar, metal bar and wire.
at Pradiauto, 2023, Madrid.
Birth, 2023
Reappropriated thrown away stainless steel, rebar, metal bar and wire.
at Pradiauto, 2023, Madrid.
Pain Changes, 2022
Graphite and rust on canvas
190 x 80 cm
It Kinda Gets Inside You, the Silence I Mean, 2023
Graphite and crayon on cotton.
at Pradiauto, 2023, Madrid.
I Can’t Wait, 2023
Counterweight, rebar, metal bar and wire.
at Pradiauto, 2023, Madrid.
Everything, 2022
Duo exhibition at Cromwell Place, 2022, London
The Undoing of Everything, 2022
Solo exhibition at Incubator, 2022, London.
Other, 2019
Solo exhibition at Incubator, 2022, London.
Öjkeqföälklegrkäerbkäbrejtlkjrtklj, 2021
Solo exhibition at Incubator, 2022, London.
‘at one with the world’
Solo exhibition at Incubator, 2022, London.
I Dreamt I Was the Ground
at Golsa, Oslo, 2024
No Name, 2022
Solo exhibition at Incubator, 2022, London.
Without Name, 2022
Solo exhibition at Incubator, 2022, London.
Yvfrhkkvlöåpknwefkjfkfdfw, 2022
Solo exhibition at Incubator, 2022, London.
Pgvsgsgcscsdgvvgdvjljvlevwlewlf!!1, 2022
Solo exhibition at Incubator, 2022, London.
O, 2022
Solo exhibition at Incubator, 2022, London.
Untitled (No More War), 2022
Solo exhibition at Incubator, 2022, London.
Ujklkdsdssplmniugtkjlöihjoipokäjåpk, 2022
Solo exhibition at Incubator, 2022, London.
No More War, 2022
Graphite and rust on cotton canvas
Group exhibition at Alice Black, 2023, London.
‘somewhere i have never travelled, gladly beyond’.
Nicoletti Contemporary, 2022, London. Paintings by Minh-Lan Tran.
A´Zhbanngdeghjaaionahohoamllm!, 2021
Weq-lqljjfnessness, 2021
I Want to Learn the Words to Resist, 2022
Haha Love, 2022
Protest, 2022
‘somewhere i have never travelled, gladly beyond’.
Nicoletti Contemporary, 2022, London. Painting by Minh-Lan Tran.
Out of Language, 2021
MFA Degree Exhibition, Goldsmiths, London.
Out of Language, 2021
MFA Degree Exhibition, Goldsmiths, London.
Out of Language, 2021
MFA Degree Exhibition, Goldsmiths, London.
II (framed), 2021
Saatchi, London Grads Now. 2021.
Out of Language, 2021
MFA Degree Exhibition, Goldsmiths, London.
Unburied Voice, 2021
Excavated Hole, 2021
Excavated Hole, 2021
Not Yet Titled, 2021
III (framed), 2021
I (framed), I (unbound), 2021
Union Pacific. 2021, London. tr. Anderson Borba.
II (unbound), 2021
I (unbound), 2021
III (unbound), II (unbound), 2021
Union Pacific. 2021, London.
III (unbound), 2021
Union Pacific. 2021, London.
III (unbound), 2021
Excavated Hole, 2021
Femi’s sculpture garden. Deptford, 2021, London.
I Lie, 2015/2021
Aluminium
The five objects are casts of the negative space of my mouth, when pronouncing the sounds of five letters. At the same time they are the positives of what would have become sounds of letters. The shapes of the muted letters together form what could have become a word.
Public commission for Plaza Protocol, 2021. Plaza Protocol inhabits an unfinished construction site of an underground shopping mall at the outskirts of Ljubljana.
I Lie, detail
I Lie, 2015
The five objects are casts of the negative space of my mouth, when pronouncing the sounds of five letters. At the same time they are the positives of what would have become sounds of letters. The shapes of the muted letters together form what could have become a word.
Inter Pblc, 2021, Copenhagen.
I Lie, 2015
I Lie, detail
Monument to a Hole, 2018
With this monument I want to inverse what a monument conventionally is. It is not raised, but rather is induced into the ground onto which we live our lives. It does not commemorate any real, nor fictional, historicized person, group of people or event. Instead, it memorialises absence. This monument acknowledges the darkened holes in our lives, the holes in our personal stories and collective histories. It provides space for what was left out when history was written.
Land 404, Gullholma, 2018, Sweden.
Monument to a Hole, 2018
Monument to a Hole, detail
‘Where Nature Ends’
NX310, 2021, London.
Other II, Other I, 2016-2017
Equrna Gallery, 2017, Ljubljana.
Other III, 2018
Other III, detail
Other I, 2017
Other I, detail
–2015–